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Matteo Frigeri, Online sharing of Digital Design files as “use of a design”? A reassessment of the current regime of liability, 14 (2023) JIPITEC 462 para 1.

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%0 Journal Article
%T Online sharing of Digital Design files as “use of a design”? A reassessment of the current regime of liability
%A Frigeri, Matteo
%J JIPITEC
%D 2023
%V 14
%N 2023
%@ 2190-3387
%F frigeri2023
%X EU Design law often appears aslacking the same strong identity that characterisestrademark and copyright rights. Divergent conceptions over the scope of protection of these rightshave persisted, disguised behind the pretence of afully harmonised legal framework.New developments in technology, social practicesand business models now force us to question theextent to which design protection could apply to newforms of digital creation, distribution, and consumption of designs.As the European Commission carries out a reappraisal of whether Design law is sufficiently flexibleto remain relevant in the digital economy and whatprotection it can offer to rightsholders against acts ofillegal online sharing of files, this article will attemptto critically assess the jurisprudence, literature, andlegislative history of design legislation to determinewhether immaterial forms of “use of a design” mayconstitute infringing acts – with a particular focus on the online sharing of Digital Design files.This review demonstrates that the extension of protection to forms of immaterial exploitation of designsmay have been an unintended result facilitated bythe ambiguous wording of the legislation.The last section of the article assesses the potentialliability for the sharing of a DD file in a platform environment, a question also recently considered by theCommission’s study. After recognising the crucial roleof the “appearance” of a design as a condition of lia-bility, the article discusses how this may cause De-sign law to be inconsistent or ineffective in tacklingthe online sharing of designs. In the conclusion ofthis article, a few possible solutions are canvassed. Itis submitted that the current Commission Proposaldoes not satisfactorily address the conceptual issuesoutlined in the article, risking rather being a short-sighted and unprincipled response to a much broadernecessity: a general reconceptualisation of what design should protect in the digital ecosystem.
%L 340
%K Digital designs
%K EU Design law
%K Online sharing platforms
%K Peer-to-peer sharing
%U http://nbn-resolving.de/urn:nbn:de:0009-29-58490
%P 462-None

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Bibtex

@Article{frigeri2023,
  author = 	"Frigeri, Matteo",
  title = 	"Online sharing of Digital Design files as ``use of a design''? A reassessment of the current regime of liability",
  journal = 	"JIPITEC",
  year = 	"2023",
  volume = 	"14",
  number = 	"2023",
  pages = 	"462--None",
  keywords = 	"Digital designs; EU Design law; Online sharing platforms; Peer-to-peer sharing",
  abstract = 	"EU Design law often appears aslacking the same strong identity that characterisestrademark and copyright rights. Divergent conceptions over the scope of protection of these rightshave persisted, disguised behind the pretence of afully harmonised legal framework.New developments in technology, social practicesand business models now force us to question theextent to which design protection could apply to newforms of digital creation, distribution, and consumption of designs.As the European Commission carries out a reappraisal of whether Design law is sufficiently flexibleto remain relevant in the digital economy and whatprotection it can offer to rightsholders against acts ofillegal online sharing of files, this article will attemptto critically assess the jurisprudence, literature, andlegislative history of design legislation to determinewhether immaterial forms of ``use of a design'' mayconstitute infringing acts -- with a particular focus on the online sharing of Digital Design files.This review demonstrates that the extension of protection to forms of immaterial exploitation of designsmay have been an unintended result facilitated bythe ambiguous wording of the legislation.The last section of the article assesses the potentialliability for the sharing of a DD file in a platform environment, a question also recently considered by theCommission's study. After recognising the crucial roleof the ``appearance'' of a design as a condition of lia-bility, the article discusses how this may cause De-sign law to be inconsistent or ineffective in tacklingthe online sharing of designs. In the conclusion ofthis article, a few possible solutions are canvassed. Itis submitted that the current Commission Proposaldoes not satisfactorily address the conceptual issuesoutlined in the article, risking rather being a short-sighted and unprincipled response to a much broadernecessity: a general reconceptualisation of what design should protect in the digital ecosystem.",
  issn = 	"2190-3387",
  url = 	"http://nbn-resolving.de/urn:nbn:de:0009-29-58490"
}

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RIS

TY  - JOUR
AU  - Frigeri, Matteo
PY  - 2023
DA  - 2023//
TI  - Online sharing of Digital Design files as “use of a design”? A reassessment of the current regime of liability
JO  - JIPITEC
SP  - 462
EP  - None
VL  - 14
IS  - 2023
KW  - Digital designs
KW  - EU Design law
KW  - Online sharing platforms
KW  - Peer-to-peer sharing
AB  - EU Design law often appears aslacking the same strong identity that characterisestrademark and copyright rights. Divergent conceptions over the scope of protection of these rightshave persisted, disguised behind the pretence of afully harmonised legal framework.New developments in technology, social practicesand business models now force us to question theextent to which design protection could apply to newforms of digital creation, distribution, and consumption of designs.As the European Commission carries out a reappraisal of whether Design law is sufficiently flexibleto remain relevant in the digital economy and whatprotection it can offer to rightsholders against acts ofillegal online sharing of files, this article will attemptto critically assess the jurisprudence, literature, andlegislative history of design legislation to determinewhether immaterial forms of “use of a design” mayconstitute infringing acts – with a particular focus on the online sharing of Digital Design files.This review demonstrates that the extension of protection to forms of immaterial exploitation of designsmay have been an unintended result facilitated bythe ambiguous wording of the legislation.The last section of the article assesses the potentialliability for the sharing of a DD file in a platform environment, a question also recently considered by theCommission’s study. After recognising the crucial roleof the “appearance” of a design as a condition of lia-bility, the article discusses how this may cause De-sign law to be inconsistent or ineffective in tacklingthe online sharing of designs. In the conclusion ofthis article, a few possible solutions are canvassed. Itis submitted that the current Commission Proposaldoes not satisfactorily address the conceptual issuesoutlined in the article, risking rather being a short-sighted and unprincipled response to a much broadernecessity: a general reconceptualisation of what design should protect in the digital ecosystem.
SN  - 2190-3387
UR  - http://nbn-resolving.de/urn:nbn:de:0009-29-58490
ID  - frigeri2023
ER  - 
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Wordbib

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<b:Comments>EU Design law often appears aslacking the same strong identity that characterisestrademark and copyright rights. Divergent conceptions over the scope of protection of these rightshave persisted, disguised behind the pretence of afully harmonised legal framework.New developments in technology, social practicesand business models now force us to question theextent to which design protection could apply to newforms of digital creation, distribution, and consumption of designs.As the European Commission carries out a reappraisal of whether Design law is sufficiently flexibleto remain relevant in the digital economy and whatprotection it can offer to rightsholders against acts ofillegal online sharing of files, this article will attemptto critically assess the jurisprudence, literature, andlegislative history of design legislation to determinewhether immaterial forms of “use of a design” mayconstitute infringing acts – with a particular focus on the online sharing of Digital Design files.This review demonstrates that the extension of protection to forms of immaterial exploitation of designsmay have been an unintended result facilitated bythe ambiguous wording of the legislation.The last section of the article assesses the potentialliability for the sharing of a DD file in a platform environment, a question also recently considered by theCommission’s study. After recognising the crucial roleof the “appearance” of a design as a condition of lia-bility, the article discusses how this may cause De-sign law to be inconsistent or ineffective in tacklingthe online sharing of designs. In the conclusion ofthis article, a few possible solutions are canvassed. Itis submitted that the current Commission Proposaldoes not satisfactorily address the conceptual issuesoutlined in the article, risking rather being a short-sighted and unprincipled response to a much broadernecessity: a general reconceptualisation of what design should protect in the digital ecosystem.</b:Comments>
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ISI

PT Journal
AU Frigeri, M
TI Online sharing of Digital Design files as “use of a design”? A reassessment of the current regime of liability
SO JIPITEC
PY 2023
BP 462
EP None
VL 14
IS 2023
DE Digital designs; EU Design law; Online sharing platforms; Peer-to-peer sharing
AB EU Design law often appears aslacking the same strong identity that characterisestrademark and copyright rights. Divergent conceptions over the scope of protection of these rightshave persisted, disguised behind the pretence of afully harmonised legal framework.New developments in technology, social practicesand business models now force us to question theextent to which design protection could apply to newforms of digital creation, distribution, and consumption of designs.As the European Commission carries out a reappraisal of whether Design law is sufficiently flexibleto remain relevant in the digital economy and whatprotection it can offer to rightsholders against acts ofillegal online sharing of files, this article will attemptto critically assess the jurisprudence, literature, andlegislative history of design legislation to determinewhether immaterial forms of “use of a design” mayconstitute infringing acts – with a particular focus on the online sharing of Digital Design files.This review demonstrates that the extension of protection to forms of immaterial exploitation of designsmay have been an unintended result facilitated bythe ambiguous wording of the legislation.The last section of the article assesses the potentialliability for the sharing of a DD file in a platform environment, a question also recently considered by theCommission’s study. After recognising the crucial roleof the “appearance” of a design as a condition of lia-bility, the article discusses how this may cause De-sign law to be inconsistent or ineffective in tacklingthe online sharing of designs. In the conclusion ofthis article, a few possible solutions are canvassed. Itis submitted that the current Commission Proposaldoes not satisfactorily address the conceptual issuesoutlined in the article, risking rather being a short-sighted and unprincipled response to a much broadernecessity: a general reconceptualisation of what design should protect in the digital ecosystem.
ER

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Mods

<mods>
  <titleInfo>
    <title>Online sharing of Digital Design files as “use of a design”? A reassessment of the current regime of liability</title>
  </titleInfo>
  <name type="personal">
    <namePart type="family">Frigeri</namePart>
    <namePart type="given">Matteo</namePart>
  </name>
  <abstract>EU Design law often appears as
lacking the same strong identity that characterises
trademark and copyright rights. Divergent conceptions over the scope of protection of these rights
have persisted, disguised behind the pretence of a
fully harmonised legal framework.
New developments in technology, social practices
and business models now force us to question the
extent to which design protection could apply to new
forms of digital creation, distribution, and consumption of designs.
As the European Commission carries out a reappraisal of whether Design law is sufficiently flexible
to remain relevant in the digital economy and what
protection it can offer to rightsholders against acts of
illegal online sharing of files, this article will attempt
to critically assess the jurisprudence, literature, and
legislative history of design legislation to determine
whether immaterial forms of “use of a design” may
constitute infringing acts – with a particular focus on the online sharing of Digital Design files.
This review demonstrates that the extension of protection to forms of immaterial exploitation of designs
may have been an unintended result facilitated by
the ambiguous wording of the legislation.
The last section of the article assesses the potential
liability for the sharing of a DD file in a platform environment, a question also recently considered by the
Commission’s study. After recognising the crucial role
of the “appearance” of a design as a condition of lia-
bility, the article discusses how this may cause De-
sign law to be inconsistent or ineffective in tackling
the online sharing of designs. In the conclusion of
this article, a few possible solutions are canvassed. It
is submitted that the current Commission Proposal
does not satisfactorily address the conceptual issues
outlined in the article, risking rather being a short-
sighted and unprincipled response to a much broader
necessity: a general reconceptualisation of what design should protect in the digital ecosystem.</abstract>
  <subject>
    <topic>Digital designs</topic>
    <topic>EU Design law</topic>
    <topic>Online sharing platforms</topic>
    <topic>Peer-to-peer sharing</topic>
  </subject>
  <classification authority="ddc">340</classification>
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        <number>14</number>
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      <detail type="issue">
        <number>2023</number>
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      <date>2023</date>
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        <start>462</start>
        <end>None</end>
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  <identifier type="citekey">frigeri2023</identifier>
</mods>
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Full Metadata

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