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Kanchana Kariyawasam, Anubhav Dutt Tiwari, Copyright Protection of Broadcasts in Australia: The intersections between originality, economic investment, and social-oriented perspectives, 14 (2023) JIPITEC 148 para 1.
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%0 Journal Article %T Copyright Protection of Broadcasts in Australia: The intersections between originality, economic investment, and social-oriented perspectives %A Kariyawasam, Kanchana %A Tiwari, Anubhav Dutt %J JIPITEC %D 2023 %V 14 %N 1 %@ 2190-3387 %F kariyawasam2023 %X This article examines the copyright protection of broadcasts in Australia. It investigates the difference in the legal treatment of creative subject matter, in the form of original literary, dramatic, musical, and artistic works, versus productive subject matter, in the form of broadcasts. The analysis focuses on the social-oriented perspective of granting copyright protection to broadcasters, separately from that afforded to creators of original works. This paper also emphasises the social-oriented rationale for the protection of broadcasters’ rights under copyright law in Australia; that is, the wider interests of the public to access original content and information through broadcasts. Finally, this paper argues that copyright law in Australia needs to protect the interests of original creators and broadcasters, while enabling the wider public to access original content and excluding others from unauthorised use of their respective contributions. %L 340 %K Australia %K Broadcasters’ Rights %K Copyright %K Social-oriented rationale %U http://nbn-resolving.de/urn:nbn:de:0009-29-57131 %P 148-NoneDownload
Bibtex
@Article{kariyawasam2023,
author = "Kariyawasam, Kanchana
and Tiwari, Anubhav Dutt",
title = "Copyright Protection of Broadcasts in Australia: The intersections between originality, economic investment, and social-oriented perspectives",
journal = "JIPITEC",
year = "2023",
volume = "14",
number = "1",
pages = "148--None",
keywords = "Australia; Broadcasters' Rights; Copyright; Social-oriented rationale",
abstract = "This article examines the copyright protection of broadcasts in Australia. It investigates the difference in the legal treatment of creative subject matter, in the form of original literary, dramatic, musical, and artistic works, versus productive subject matter, in the form of broadcasts. The analysis focuses on the social-oriented perspective of granting copyright protection to broadcasters, separately from that afforded to creators of original works. This paper also emphasises the social-oriented rationale for the protection of broadcasters' rights under copyright law in Australia; that is, the wider interests of the public to access original content and information through broadcasts. Finally, this paper argues that copyright law in Australia needs to protect the interests of original creators and broadcasters, while enabling the wider public to access original content and excluding others from unauthorised use of their respective contributions.",
issn = "2190-3387",
url = "http://nbn-resolving.de/urn:nbn:de:0009-29-57131"
}
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TY - JOUR AU - Kariyawasam, Kanchana AU - Tiwari, Anubhav Dutt PY - 2023 DA - 2023// TI - Copyright Protection of Broadcasts in Australia: The intersections between originality, economic investment, and social-oriented perspectives JO - JIPITEC SP - 148 EP - None VL - 14 IS - 1 KW - Australia KW - Broadcasters’ Rights KW - Copyright KW - Social-oriented rationale AB - This article examines the copyright protection of broadcasts in Australia. It investigates the difference in the legal treatment of creative subject matter, in the form of original literary, dramatic, musical, and artistic works, versus productive subject matter, in the form of broadcasts. The analysis focuses on the social-oriented perspective of granting copyright protection to broadcasters, separately from that afforded to creators of original works. This paper also emphasises the social-oriented rationale for the protection of broadcasters’ rights under copyright law in Australia; that is, the wider interests of the public to access original content and information through broadcasts. Finally, this paper argues that copyright law in Australia needs to protect the interests of original creators and broadcasters, while enabling the wider public to access original content and excluding others from unauthorised use of their respective contributions. SN - 2190-3387 UR - http://nbn-resolving.de/urn:nbn:de:0009-29-57131 ID - kariyawasam2023 ER -Download
Wordbib
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ISI
PT Journal AU Kariyawasam, K Tiwari, A TI Copyright Protection of Broadcasts in Australia: The intersections between originality, economic investment, and social-oriented perspectives SO JIPITEC PY 2023 BP 148 EP None VL 14 IS 1 DE Australia; Broadcasters’ Rights; Copyright; Social-oriented rationale AB This article examines the copyright protection of broadcasts in Australia. It investigates the difference in the legal treatment of creative subject matter, in the form of original literary, dramatic, musical, and artistic works, versus productive subject matter, in the form of broadcasts. The analysis focuses on the social-oriented perspective of granting copyright protection to broadcasters, separately from that afforded to creators of original works. This paper also emphasises the social-oriented rationale for the protection of broadcasters’ rights under copyright law in Australia; that is, the wider interests of the public to access original content and information through broadcasts. Finally, this paper argues that copyright law in Australia needs to protect the interests of original creators and broadcasters, while enabling the wider public to access original content and excluding others from unauthorised use of their respective contributions. ERDownload
Mods
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Full Metadata
| Bibliographic Citation | Journal of intellectual property, information technology and electronic commerce law 14 (2023) 1 |
|---|---|
| Title |
Copyright Protection of Broadcasts in Australia: The intersections between originality, economic investment, and social-oriented perspectives (eng) |
| Author | Kanchana Kariyawasam, Anubhav Dutt Tiwari |
| Language | eng |
| Abstract | This article examines the copyright protection of broadcasts in Australia. It investigates the difference in the legal treatment of creative subject matter, in the form of original literary, dramatic, musical, and artistic works, versus productive subject matter, in the form of broadcasts. The analysis focuses on the social-oriented perspective of granting copyright protection to broadcasters, separately from that afforded to creators of original works. This paper also emphasises the social-oriented rationale for the protection of broadcasters’ rights under copyright law in Australia; that is, the wider interests of the public to access original content and information through broadcasts. Finally, this paper argues that copyright law in Australia needs to protect the interests of original creators and broadcasters, while enabling the wider public to access original content and excluding others from unauthorised use of their respective contributions. |
| Subject | Australia, Broadcasters’ Rights, Copyright, Social-oriented rationale |
| DDC | 340 |
| Rights | DPPL |
| URN: | urn:nbn:de:0009-29-57131 |
