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Catharina Maracke, Creative Commons International The International License Porting Project, 1 (2010) JIPITEC 4 para 1.
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%0 Journal Article %T Creative Commons International The International License Porting Project %A Maracke, Catharina %J JIPITEC %D 2010 %V 1 %N 1 %@ 2190-3387 %F maracke2010 %X When Creative Commons (CC) was founded in 2001, the core Creative Commons licenseswere drafted according to United States Copyright Law. Since their first introduction in December 2002,Creative Commons licenses have been enthusiastically adopted by many creators, authors, and othercontent producers – not only in the United States, but in many other jurisdictions as well.Global interest in the CC licenses prompted a discussion about the need for national versions of theCC licenses. To best address this need, the international license porting project (“Creative CommonsInternational” – formerly known as “International Commons”) was launched in 2003. Creative CommonsInternational works to port the core Creative Commons licenses to different copyright legislations aroundthe world. The porting process includes both linguistically translating the licenses and legally adaptingthe licenses to a particular jurisdiction such that they are comprehensible in the local jurisdiction andlegally enforceable but concurrently retain the same key elements.Since its inception, Creative Commons International has found many supporters all over the world.With Finland, Brazil, and Japan as the first completed jurisdiction projects, experts around the globehave followed their lead and joined the international collaboration with Creative Commons to adapt thelicenses to their local copyright. This article aims to present an overview of the international portingprocess, explain and clarify the international license architecture, its legal and promotional aspects, aswell as its most recent challenges. %L 340 %U http://nbn-resolving.de/urn:nbn:de:0009-29-24172 %P 4-18Download
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@Article{maracke2010, author = "Maracke, Catharina", title = "Creative Commons International The International License Porting Project", journal = "JIPITEC", year = "2010", volume = "1", number = "1", pages = "4--18", abstract = "When Creative Commons (CC) was founded in 2001, the core Creative Commons licenseswere drafted according to United States Copyright Law. Since their first introduction in December 2002,Creative Commons licenses have been enthusiastically adopted by many creators, authors, and othercontent producers -- not only in the United States, but in many other jurisdictions as well.Global interest in the CC licenses prompted a discussion about the need for national versions of theCC licenses. To best address this need, the international license porting project (``Creative CommonsInternational'' -- formerly known as ``International Commons'') was launched in 2003. Creative CommonsInternational works to port the core Creative Commons licenses to different copyright legislations aroundthe world. The porting process includes both linguistically translating the licenses and legally adaptingthe licenses to a particular jurisdiction such that they are comprehensible in the local jurisdiction andlegally enforceable but concurrently retain the same key elements.Since its inception, Creative Commons International has found many supporters all over the world.With Finland, Brazil, and Japan as the first completed jurisdiction projects, experts around the globehave followed their lead and joined the international collaboration with Creative Commons to adapt thelicenses to their local copyright. This article aims to present an overview of the international portingprocess, explain and clarify the international license architecture, its legal and promotional aspects, aswell as its most recent challenges.", issn = "2190-3387", url = "http://nbn-resolving.de/urn:nbn:de:0009-29-24172" }Download
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TY - JOUR AU - Maracke, Catharina PY - 2010 DA - 2010// TI - Creative Commons International The International License Porting Project JO - JIPITEC SP - 4 EP - 18 VL - 1 IS - 1 AB - When Creative Commons (CC) was founded in 2001, the core Creative Commons licenseswere drafted according to United States Copyright Law. Since their first introduction in December 2002,Creative Commons licenses have been enthusiastically adopted by many creators, authors, and othercontent producers – not only in the United States, but in many other jurisdictions as well.Global interest in the CC licenses prompted a discussion about the need for national versions of theCC licenses. To best address this need, the international license porting project (“Creative CommonsInternational” – formerly known as “International Commons”) was launched in 2003. Creative CommonsInternational works to port the core Creative Commons licenses to different copyright legislations aroundthe world. The porting process includes both linguistically translating the licenses and legally adaptingthe licenses to a particular jurisdiction such that they are comprehensible in the local jurisdiction andlegally enforceable but concurrently retain the same key elements.Since its inception, Creative Commons International has found many supporters all over the world.With Finland, Brazil, and Japan as the first completed jurisdiction projects, experts around the globehave followed their lead and joined the international collaboration with Creative Commons to adapt thelicenses to their local copyright. This article aims to present an overview of the international portingprocess, explain and clarify the international license architecture, its legal and promotional aspects, aswell as its most recent challenges. SN - 2190-3387 UR - http://nbn-resolving.de/urn:nbn:de:0009-29-24172 ID - maracke2010 ER -Download
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<?xml version="1.0" encoding="UTF-8"?> <b:Sources SelectedStyle="" xmlns:b="http://schemas.openxmlformats.org/officeDocument/2006/bibliography" xmlns="http://schemas.openxmlformats.org/officeDocument/2006/bibliography" > <b:Source> <b:Tag>maracke2010</b:Tag> <b:SourceType>ArticleInAPeriodical</b:SourceType> <b:Year>2010</b:Year> <b:PeriodicalTitle>JIPITEC</b:PeriodicalTitle> <b:Volume>1</b:Volume> <b:Issue>1</b:Issue> <b:Url>http://nbn-resolving.de/urn:nbn:de:0009-29-24172</b:Url> <b:Pages>4-18</b:Pages> <b:Author> <b:Author><b:NameList> <b:Person><b:Last>Maracke</b:Last><b:First>Catharina</b:First></b:Person> </b:NameList></b:Author> </b:Author> <b:Title>Creative Commons International The International License Porting Project</b:Title> <b:Comments>When Creative Commons (CC) was founded in 2001, the core Creative Commons licenseswere drafted according to United States Copyright Law. Since their first introduction in December 2002,Creative Commons licenses have been enthusiastically adopted by many creators, authors, and othercontent producers – not only in the United States, but in many other jurisdictions as well.Global interest in the CC licenses prompted a discussion about the need for national versions of theCC licenses. To best address this need, the international license porting project (“Creative CommonsInternational” – formerly known as “International Commons”) was launched in 2003. Creative CommonsInternational works to port the core Creative Commons licenses to different copyright legislations aroundthe world. The porting process includes both linguistically translating the licenses and legally adaptingthe licenses to a particular jurisdiction such that they are comprehensible in the local jurisdiction andlegally enforceable but concurrently retain the same key elements.Since its inception, Creative Commons International has found many supporters all over the world.With Finland, Brazil, and Japan as the first completed jurisdiction projects, experts around the globehave followed their lead and joined the international collaboration with Creative Commons to adapt thelicenses to their local copyright. This article aims to present an overview of the international portingprocess, explain and clarify the international license architecture, its legal and promotional aspects, aswell as its most recent challenges.</b:Comments> </b:Source> </b:Sources>Download
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PT Journal AU Maracke, C TI Creative Commons International The International License Porting Project SO JIPITEC PY 2010 BP 4 EP 18 VL 1 IS 1 AB When Creative Commons (CC) was founded in 2001, the core Creative Commons licenseswere drafted according to United States Copyright Law. Since their first introduction in December 2002,Creative Commons licenses have been enthusiastically adopted by many creators, authors, and othercontent producers – not only in the United States, but in many other jurisdictions as well.Global interest in the CC licenses prompted a discussion about the need for national versions of theCC licenses. To best address this need, the international license porting project (“Creative CommonsInternational” – formerly known as “International Commons”) was launched in 2003. Creative CommonsInternational works to port the core Creative Commons licenses to different copyright legislations aroundthe world. The porting process includes both linguistically translating the licenses and legally adaptingthe licenses to a particular jurisdiction such that they are comprehensible in the local jurisdiction andlegally enforceable but concurrently retain the same key elements.Since its inception, Creative Commons International has found many supporters all over the world.With Finland, Brazil, and Japan as the first completed jurisdiction projects, experts around the globehave followed their lead and joined the international collaboration with Creative Commons to adapt thelicenses to their local copyright. This article aims to present an overview of the international portingprocess, explain and clarify the international license architecture, its legal and promotional aspects, aswell as its most recent challenges. ERDownload
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<mods> <titleInfo> <title>Creative Commons International The International License Porting Project</title> </titleInfo> <name type="personal"> <namePart type="family">Maracke</namePart> <namePart type="given">Catharina</namePart> </name> <abstract>When Creative Commons (CC) was founded in 2001, the core Creative Commons licenses were drafted according to United States Copyright Law. Since their first introduction in December 2002, Creative Commons licenses have been enthusiastically adopted by many creators, authors, and other content producers – not only in the United States, but in many other jurisdictions as well. Global interest in the CC licenses prompted a discussion about the need for national versions of the CC licenses. To best address this need, the international license porting project (“Creative Commons International” – formerly known as “International Commons”) was launched in 2003. Creative Commons International works to port the core Creative Commons licenses to different copyright legislations around the world. The porting process includes both linguistically translating the licenses and legally adapting the licenses to a particular jurisdiction such that they are comprehensible in the local jurisdiction and legally enforceable but concurrently retain the same key elements. Since its inception, Creative Commons International has found many supporters all over the world. With Finland, Brazil, and Japan as the first completed jurisdiction projects, experts around the globe have followed their lead and joined the international collaboration with Creative Commons to adapt the licenses to their local copyright. This article aims to present an overview of the international porting process, explain and clarify the international license architecture, its legal and promotional aspects, as well as its most recent challenges.</abstract> <subject /> <classification authority="ddc">340</classification> <relatedItem type="host"> <genre authority="marcgt">periodical</genre> <genre>academic journal</genre> <titleInfo> <title>JIPITEC</title> </titleInfo> <part> <detail type="volume"> <number>1</number> </detail> <detail type="issue"> <number>1</number> </detail> <date>2010</date> <extent unit="page"> <start>4</start> <end>18</end> </extent> </part> </relatedItem> <identifier type="issn">2190-3387</identifier> <identifier type="urn">urn:nbn:de:0009-29-24172</identifier> <identifier type="uri">http://nbn-resolving.de/urn:nbn:de:0009-29-24172</identifier> <identifier type="citekey">maracke2010</identifier> </mods>Download
Full Metadata
Bibliographic Citation | Journal of intellectual property, information technology and electronic commerce law 1 (2010) 1 |
---|---|
Title |
Creative Commons International The International License Porting Project (eng) |
Author | Catharina Maracke |
Language | eng |
Abstract | When Creative Commons (CC) was founded in 2001, the core Creative Commons licenses were drafted according to United States Copyright Law. Since their first introduction in December 2002, Creative Commons licenses have been enthusiastically adopted by many creators, authors, and other content producers – not only in the United States, but in many other jurisdictions as well. Global interest in the CC licenses prompted a discussion about the need for national versions of the CC licenses. To best address this need, the international license porting project (“Creative Commons International” – formerly known as “International Commons”) was launched in 2003. Creative Commons International works to port the core Creative Commons licenses to different copyright legislations around the world. The porting process includes both linguistically translating the licenses and legally adapting the licenses to a particular jurisdiction such that they are comprehensible in the local jurisdiction and legally enforceable but concurrently retain the same key elements. Since its inception, Creative Commons International has found many supporters all over the world. With Finland, Brazil, and Japan as the first completed jurisdiction projects, experts around the globe have followed their lead and joined the international collaboration with Creative Commons to adapt the licenses to their local copyright. This article aims to present an overview of the international porting process, explain and clarify the international license architecture, its legal and promotional aspects, as well as its most recent challenges. |
Subject | |
DDC | 340 |
Rights | DPPL |
URN: | urn:nbn:de:0009-29-24172 |