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Ananay Aguilar, ‘We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform, 9 (2018) JIPITEC 160 para 1.
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%0 Journal Article %T ‘We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform %A Aguilar, Ananay %J JIPITEC %D 2018 %V 9 %N 2 %@ 2190-3387 %F aguilar2018 %X Elaborating on the President of the European Commission Jean-Claude Juncker’s agenda, EC Vice-President and Commissioner for the Digital Single Market Andrus Ansip wrote on his blog on 18th November 2015, “we want artists to be fully and fairly paid for their work”—the phrase that serves as the title to this article and that has reappeared in different guises throughout the process of EU copyright reform. By examining a case study on the Fair Internet for Performers Campaign—a campaign advanced in the context of the ongoing European copyright reform—I shed light on the powerful discourses on fairness that have dominated and shaped the reform process. Using discourse analysis, I found the concept of fairness to be mostly dependent on the stakeholders’ relative bargaining power and framed by hegemonic neo-liberal thought. Drawing on interviews, fieldwork, media, and the documentation produced by the European Union’s government throughout the process, the case study also illustrates the contested nature of copyright reform today. %L 340 %K EU %K Fairness %K copyright reform %K discourse analysis %K neo-liberalism %U http://nbn-resolving.de/urn:nbn:de:0009-29-47313 %P 160-178Download
Bibtex
@Article{aguilar2018,
author = "Aguilar, Ananay",
title = "`We want Artists to be Fully and Fairly Paid for their Work': Discourses on Fairness in the Neoliberal European Copyright Reform",
journal = "JIPITEC",
year = "2018",
volume = "9",
number = "2",
pages = "160--178",
keywords = "EU; Fairness; copyright reform; discourse analysis; neo-liberalism",
abstract = "Elaborating on the President of the European Commission Jean-Claude Juncker's agenda, EC Vice-President and Commissioner for the Digital Single Market Andrus Ansip wrote on his blog on 18th November 2015, ``we want artists to be fully and fairly paid for their work''---the phrase that serves as the title to this article and that has reappeared in different guises throughout the process of EU copyright reform. By examining a case study on the Fair Internet for Performers Campaign---a campaign advanced in the context of the ongoing European copyright reform---I shed light on the powerful discourses on fairness that have dominated and shaped the reform process. Using discourse analysis, I found the concept of fairness to be mostly dependent on the stakeholders' relative bargaining power and framed by hegemonic neo-liberal thought. Drawing on interviews, fieldwork, media, and the documentation produced by the European Union's government throughout the process, the case study also illustrates the contested nature of copyright reform today.",
issn = "2190-3387",
url = "http://nbn-resolving.de/urn:nbn:de:0009-29-47313"
}
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TY - JOUR AU - Aguilar, Ananay PY - 2018 DA - 2018// TI - ‘We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform JO - JIPITEC SP - 160 EP - 178 VL - 9 IS - 2 KW - EU KW - Fairness KW - copyright reform KW - discourse analysis KW - neo-liberalism AB - Elaborating on the President of the European Commission Jean-Claude Juncker’s agenda, EC Vice-President and Commissioner for the Digital Single Market Andrus Ansip wrote on his blog on 18th November 2015, “we want artists to be fully and fairly paid for their work”—the phrase that serves as the title to this article and that has reappeared in different guises throughout the process of EU copyright reform. By examining a case study on the Fair Internet for Performers Campaign—a campaign advanced in the context of the ongoing European copyright reform—I shed light on the powerful discourses on fairness that have dominated and shaped the reform process. Using discourse analysis, I found the concept of fairness to be mostly dependent on the stakeholders’ relative bargaining power and framed by hegemonic neo-liberal thought. Drawing on interviews, fieldwork, media, and the documentation produced by the European Union’s government throughout the process, the case study also illustrates the contested nature of copyright reform today. SN - 2190-3387 UR - http://nbn-resolving.de/urn:nbn:de:0009-29-47313 ID - aguilar2018 ER -Download
Wordbib
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ISI
PT Journal AU Aguilar, A TI ‘We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform SO JIPITEC PY 2018 BP 160 EP 178 VL 9 IS 2 DE EU; Fairness; copyright reform; discourse analysis; neo-liberalism AB Elaborating on the President of the European Commission Jean-Claude Juncker’s agenda, EC Vice-President and Commissioner for the Digital Single Market Andrus Ansip wrote on his blog on 18th November 2015, “we want artists to be fully and fairly paid for their work”—the phrase that serves as the title to this article and that has reappeared in different guises throughout the process of EU copyright reform. By examining a case study on the Fair Internet for Performers Campaign—a campaign advanced in the context of the ongoing European copyright reform—I shed light on the powerful discourses on fairness that have dominated and shaped the reform process. Using discourse analysis, I found the concept of fairness to be mostly dependent on the stakeholders’ relative bargaining power and framed by hegemonic neo-liberal thought. Drawing on interviews, fieldwork, media, and the documentation produced by the European Union’s government throughout the process, the case study also illustrates the contested nature of copyright reform today. ERDownload
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Full Metadata
| Bibliographic Citation | 9 (2018) 2 |
|---|---|
| Title |
‘We want Artists to be Fully and Fairly Paid for their Work’: Discourses on Fairness in the Neoliberal European Copyright Reform (eng) |
| Author | Ananay Aguilar |
| Language | eng |
| Abstract | Elaborating on the President of the European Commission Jean-Claude Juncker’s agenda, EC Vice-President and Commissioner for the Digital Single Market Andrus Ansip wrote on his blog on 18th November 2015, “we want artists to be fully and fairly paid for their work”—the phrase that serves as the title to this article and that has reappeared in different guises throughout the process of EU copyright reform. By examining a case study on the Fair Internet for Performers Campaign—a campaign advanced in the context of the ongoing European copyright reform—I shed light on the powerful discourses on fairness that have dominated and shaped the reform process. Using discourse analysis, I found the concept of fairness to be mostly dependent on the stakeholders’ relative bargaining power and framed by hegemonic neo-liberal thought. Drawing on interviews, fieldwork, media, and the documentation produced by the European Union’s government throughout the process, the case study also illustrates the contested nature of copyright reform today. |
| Subject | EU, Fairness, copyright reform, discourse analysis, neo-liberalism |
| DDC | 340 |
| Rights | DPPL |
| URN: | urn:nbn:de:0009-29-47313 |
