Document Actions
Citation and metadata
Recommended citation
Martin Senftleben, Thomas Margoni, Daniel Antal, Bodó Balázs, Stef van Gompel, Christian Handke, Martin Kretschmer, Joost Poort, João Quintais, Sebastian Schwemer, Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies and the Opportunity Arising from Article 17 of the CDSM Directive, 13 (2022) JIPITEC 67 para 1.
Download Citation
Endnote
%0 Journal Article %T Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies and the Opportunity Arising from Article 17 of the CDSM Directive %A Senftleben, Martin %A Margoni, Thomas %A Antal, Daniel %A Balázs, Bodó %A van Gompel, Stef %A Handke, Christian %A Kretschmer, Martin %A Poort, Joost %A Quintais, João %A Schwemer, Sebastian %J JIPITEC %D 2022 %V 13 %N 1 %@ 2190-3387 %F senftleben2022 %X In the European Strategy for Data (COM(2020) 66 final), the European Commission highlighted the EU’s ambition “to acquire a leading role in the data economy.” At the same time, the Commission conceded that the EU would have to “increase its pools of quality data available for use and re-use.” In the creative industries, this need for enhanced data quality and interoperability is particularly strong (section 1). Without data improvement, unprecedented opportunities for monetising the wide variety of creative content in EU Member States and making this content available for new technologies, such as artificial intelligence (“AI”) systems, will most probably be lost (section 2). The problem has a worldwide dimension. While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors (section 3). Weighing costs and benefits (section 4), there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. The work notification system following from Article 17(4)(b) of the Directive on Copyright in the Digital Single Market may offer an unprecedented opportunity to bundle and harmonize data in a shared EU copyright data repository (section 5). In addition, a trade-off between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems on the other, may pave the way for new initiatives (section 6). %L 340 %K copyright %K cultural diversity %K enforcement %K licensing %K metadata %K recommender systems %K text and data miningfacing %U http://nbn-resolving.de/urn:nbn:de:0009-29-55154 %P 67-86Download
Bibtex
@Article{senftleben2022,
author = "Senftleben, Martin
and Margoni, Thomas
and Antal, Daniel
and Bal{\'a}zs, Bod{\'o}
and van Gompel, Stef
and Handke, Christian
and Kretschmer, Martin
and Poort, Joost
and Quintais, Jo{\~a}o
and Schwemer, Sebastian",
title = "Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies and the Opportunity Arising from Article 17 of the CDSM Directive",
journal = "JIPITEC",
year = "2022",
volume = "13",
number = "1",
pages = "67--86",
keywords = "copyright; cultural diversity; enforcement; licensing; metadata; recommender systems; text and data miningfacing",
abstract = "In the European Strategy for Data (COM(2020) 66 final), the European Commission highlighted the EU's ambition ``to acquire a leading role in the data economy.'' At the same time, the Commission conceded that the EU would have to ``increase its pools of quality data available for use and re-use.'' In the creative industries, this need for enhanced data quality and interoperability is particularly strong (section 1). Without data improvement, unprecedented opportunities for monetising the wide variety of creative content in EU Member States and making this content available for new technologies, such as artificial intelligence (``AI'') systems, will most probably be lost (section 2). The problem has a worldwide dimension. While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors (section 3). Weighing costs and benefits (section 4), there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. The work notification system following from Article 17(4)(b) of the Directive on Copyright in the Digital Single Market may offer an unprecedented opportunity to bundle and harmonize data in a shared EU copyright data repository (section 5). In addition, a trade-off between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems on the other, may pave the way for new initiatives (section 6).",
issn = "2190-3387",
url = "http://nbn-resolving.de/urn:nbn:de:0009-29-55154"
}
Download
RIS
TY - JOUR AU - Senftleben, Martin AU - Margoni, Thomas AU - Antal, Daniel AU - Balázs, Bodó AU - van Gompel, Stef AU - Handke, Christian AU - Kretschmer, Martin AU - Poort, Joost AU - Quintais, João AU - Schwemer, Sebastian PY - 2022 DA - 2022// TI - Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies and the Opportunity Arising from Article 17 of the CDSM Directive JO - JIPITEC SP - 67 EP - 86 VL - 13 IS - 1 KW - copyright KW - cultural diversity KW - enforcement KW - licensing KW - metadata KW - recommender systems KW - text and data miningfacing AB - In the European Strategy for Data (COM(2020) 66 final), the European Commission highlighted the EU’s ambition “to acquire a leading role in the data economy.” At the same time, the Commission conceded that the EU would have to “increase its pools of quality data available for use and re-use.” In the creative industries, this need for enhanced data quality and interoperability is particularly strong (section 1). Without data improvement, unprecedented opportunities for monetising the wide variety of creative content in EU Member States and making this content available for new technologies, such as artificial intelligence (“AI”) systems, will most probably be lost (section 2). The problem has a worldwide dimension. While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors (section 3). Weighing costs and benefits (section 4), there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. The work notification system following from Article 17(4)(b) of the Directive on Copyright in the Digital Single Market may offer an unprecedented opportunity to bundle and harmonize data in a shared EU copyright data repository (section 5). In addition, a trade-off between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems on the other, may pave the way for new initiatives (section 6). SN - 2190-3387 UR - http://nbn-resolving.de/urn:nbn:de:0009-29-55154 ID - senftleben2022 ER -Download
Wordbib
<?xml version="1.0" encoding="UTF-8"?> <b:Sources SelectedStyle="" xmlns:b="http://schemas.openxmlformats.org/officeDocument/2006/bibliography" xmlns="http://schemas.openxmlformats.org/officeDocument/2006/bibliography" > <b:Source> <b:Tag>senftleben2022</b:Tag> <b:SourceType>ArticleInAPeriodical</b:SourceType> <b:Year>2022</b:Year> <b:PeriodicalTitle>JIPITEC</b:PeriodicalTitle> <b:Volume>13</b:Volume> <b:Issue>1</b:Issue> <b:Url>http://nbn-resolving.de/urn:nbn:de:0009-29-55154</b:Url> <b:Pages>67-86</b:Pages> <b:Author> <b:Author><b:NameList> <b:Person><b:Last>Senftleben</b:Last><b:First>Martin</b:First></b:Person> <b:Person><b:Last>Margoni</b:Last><b:First>Thomas</b:First></b:Person> <b:Person><b:Last>Antal</b:Last><b:First>Daniel</b:First></b:Person> <b:Person><b:Last>Balázs</b:Last><b:First>Bodó</b:First></b:Person> <b:Person><b:Last>van Gompel</b:Last><b:First>Stef</b:First></b:Person> <b:Person><b:Last>Handke</b:Last><b:First>Christian</b:First></b:Person> <b:Person><b:Last>Kretschmer</b:Last><b:First>Martin</b:First></b:Person> <b:Person><b:Last>Poort</b:Last><b:First>Joost</b:First></b:Person> <b:Person><b:Last>Quintais</b:Last><b:First>João</b:First></b:Person> <b:Person><b:Last>Schwemer</b:Last><b:First>Sebastian</b:First></b:Person> </b:NameList></b:Author> </b:Author> <b:Title>Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies and the Opportunity Arising from Article 17 of the CDSM Directive</b:Title> <b:Comments>In the European Strategy for Data (COM(2020) 66 final), the European Commission highlighted the EU’s ambition “to acquire a leading role in the data economy.” At the same time, the Commission conceded that the EU would have to “increase its pools of quality data available for use and re-use.” In the creative industries, this need for enhanced data quality and interoperability is particularly strong (section 1). Without data improvement, unprecedented opportunities for monetising the wide variety of creative content in EU Member States and making this content available for new technologies, such as artificial intelligence (“AI”) systems, will most probably be lost (section 2). The problem has a worldwide dimension. While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors (section 3). Weighing costs and benefits (section 4), there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. The work notification system following from Article 17(4)(b) of the Directive on Copyright in the Digital Single Market may offer an unprecedented opportunity to bundle and harmonize data in a shared EU copyright data repository (section 5). In addition, a trade-off between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems on the other, may pave the way for new initiatives (section 6).</b:Comments> </b:Source> </b:Sources>Download
ISI
PT Journal AU Senftleben, M Margoni, T Antal, D Balázs, B van Gompel, S Handke, C Kretschmer, M Poort, J Quintais, J Schwemer, S TI Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies and the Opportunity Arising from Article 17 of the CDSM Directive SO JIPITEC PY 2022 BP 67 EP 86 VL 13 IS 1 DE copyright; cultural diversity; enforcement; licensing; metadata; recommender systems; text and data miningfacing AB In the European Strategy for Data (COM(2020) 66 final), the European Commission highlighted the EU’s ambition “to acquire a leading role in the data economy.” At the same time, the Commission conceded that the EU would have to “increase its pools of quality data available for use and re-use.” In the creative industries, this need for enhanced data quality and interoperability is particularly strong (section 1). Without data improvement, unprecedented opportunities for monetising the wide variety of creative content in EU Member States and making this content available for new technologies, such as artificial intelligence (“AI”) systems, will most probably be lost (section 2). The problem has a worldwide dimension. While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors (section 3). Weighing costs and benefits (section 4), there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. The work notification system following from Article 17(4)(b) of the Directive on Copyright in the Digital Single Market may offer an unprecedented opportunity to bundle and harmonize data in a shared EU copyright data repository (section 5). In addition, a trade-off between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems on the other, may pave the way for new initiatives (section 6). ERDownload
Mods
<mods>
<titleInfo>
<title>Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies and the Opportunity Arising from Article 17 of the CDSM Directive</title>
</titleInfo>
<name type="personal">
<namePart type="family">Senftleben</namePart>
<namePart type="given">Martin</namePart>
</name>
<name type="personal">
<namePart type="family">Margoni</namePart>
<namePart type="given">Thomas</namePart>
</name>
<name type="personal">
<namePart type="family">Antal</namePart>
<namePart type="given">Daniel</namePart>
</name>
<name type="personal">
<namePart type="family">Balázs</namePart>
<namePart type="given">Bodó</namePart>
</name>
<name type="personal">
<namePart type="family">van Gompel</namePart>
<namePart type="given">Stef</namePart>
</name>
<name type="personal">
<namePart type="family">Handke</namePart>
<namePart type="given">Christian</namePart>
</name>
<name type="personal">
<namePart type="family">Kretschmer</namePart>
<namePart type="given">Martin</namePart>
</name>
<name type="personal">
<namePart type="family">Poort</namePart>
<namePart type="given">Joost</namePart>
</name>
<name type="personal">
<namePart type="family">Quintais</namePart>
<namePart type="given">João</namePart>
</name>
<name type="personal">
<namePart type="family">Schwemer</namePart>
<namePart type="given">Sebastian</namePart>
</name>
<abstract>In the European Strategy for Data (COM(2020) 66 final), the European Commission highlighted the EU’s ambition “to acquire a leading role in the data economy.” At the same time, the Commission conceded that the EU would have to “increase its pools of quality data available for use and re-use.” In the creative industries, this need for enhanced data quality and interoperability is particularly strong (section 1). Without data improvement, unprecedented opportunities for monetising the wide variety of creative content in EU Member States and making this content available for new technologies, such as artificial intelligence (“AI”) systems, will most probably be lost (section 2). The problem has a worldwide dimension. While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors (section 3). Weighing costs and benefits (section 4), there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. The work notification system following from Article 17(4)(b) of the Directive on Copyright in the Digital Single Market may offer an unprecedented opportunity to bundle and harmonize data in a shared EU copyright data repository (section 5). In addition, a trade-off between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems on the other, may pave the way for new initiatives (section 6).</abstract>
<subject>
<topic>copyright</topic>
<topic>cultural diversity</topic>
<topic>enforcement</topic>
<topic>licensing</topic>
<topic>metadata</topic>
<topic>recommender systems</topic>
<topic>text and data miningfacing</topic>
</subject>
<classification authority="ddc">340</classification>
<relatedItem type="host">
<genre authority="marcgt">periodical</genre>
<genre>academic journal</genre>
<titleInfo>
<title>JIPITEC</title>
</titleInfo>
<part>
<detail type="volume">
<number>13</number>
</detail>
<detail type="issue">
<number>1</number>
</detail>
<date>2022</date>
<extent unit="page">
<start>67</start>
<end>86</end>
</extent>
</part>
</relatedItem>
<identifier type="issn">2190-3387</identifier>
<identifier type="urn">urn:nbn:de:0009-29-55154</identifier>
<identifier type="uri">http://nbn-resolving.de/urn:nbn:de:0009-29-55154</identifier>
<identifier type="citekey">senftleben2022</identifier>
</mods>
Download
Full Metadata
| Bibliographic Citation | Journal of intellectual property, information technology and electronic commerce law 13 (2022) 1 |
|---|---|
| Title |
Ensuring the Visibility and Accessibility of European Creative Content on the World Market: The Need for Copyright Data Improvement in the Light of New Technologies and the Opportunity Arising from Article 17 of the CDSM Directive (ger) |
| Author | Martin Senftleben, Thomas Margoni, Daniel Antal, Bodó Balázs, Stef van Gompel, Christian Handke, Martin Kretschmer, Joost Poort, João Quintais, Sebastian Schwemer |
| Language | ger |
| Abstract | In the European Strategy for Data (COM(2020) 66 final), the European Commission highlighted the EU’s ambition “to acquire a leading role in the data economy.” At the same time, the Commission conceded that the EU would have to “increase its pools of quality data available for use and re-use.” In the creative industries, this need for enhanced data quality and interoperability is particularly strong (section 1). Without data improvement, unprecedented opportunities for monetising the wide variety of creative content in EU Member States and making this content available for new technologies, such as artificial intelligence (“AI”) systems, will most probably be lost (section 2). The problem has a worldwide dimension. While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors (section 3). Weighing costs and benefits (section 4), there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. The work notification system following from Article 17(4)(b) of the Directive on Copyright in the Digital Single Market may offer an unprecedented opportunity to bundle and harmonize data in a shared EU copyright data repository (section 5). In addition, a trade-off between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems on the other, may pave the way for new initiatives (section 6). |
| Subject | copyright, cultural diversity, enforcement, licensing, metadata, recommender systems, text and data miningfacing |
| DDC | 340 |
| Rights | DPPL |
| URN: | urn:nbn:de:0009-29-55154 |
